![]() :smallcool: He already knows that no one (except perhaps for some omnipotent being touring Andromeda) knows the secret behind the Gallimaufry. :smallcool:īuck talks about the entity's mother as if he knows exactly who she was. I would love to see a line like that in a modern SF TV show. Turn it on." was even funnier in my eyes. Ready to begin speaking in technobabble, sir. That's what's going on") and a dawning realization that. The other reasons why Buck said, "He's their master, damnation" is it's partially a fitting the pieces of the puzzle (i.e. Well, I don't consider the warnings that the Beemahs gave to be idle ones. Whether it's due to what Para had them do during all these years, or rather it's simply down to the notion that they no longer want to be slaves is up to debate.Īnyway, considering that Para spaced an entire embassy (including a bunch of innocents) just because it's leaders decided to ignore his warnings. On at least two occasions, the Beemahs have warned people that if Para found out that other people knew about (or even hinted at) the existance of the Beemah/Para link, then they would be killed.Īlso, it's been hinted (if not outright stated) that the Beemah's don't exactly care for their current master. Unless there's and explanation in the "spoiler floodgate," 'cause I didn't read ahead. He's just trying to maintain station stability, and found that by keeping the race alive, he could get info needed to maintain that peace quickly and quietly. I'm not sure why Par being the Beemah "Master" makes him bad. But until I start seeing some signs from Studio Foglio, I won't hold my breath. I dearly hope it does, since truth be told I actually (barely) prefer BG over GG. If lots of people start buying the BG books it would probably increase the likelyhood of more Godot adventures. And maybe once the BG: Gallimaufry trade paperback comes out, they'll be able to judge whether or not a new BG series would be profitable. Now maybe they're selling the old compilations in higher numbers than they were before. But it is still undeniable that right now Buck Godot isn't moving as much site traffic as Girl Genius does. Now I'm sure a lot of that is due to the fact that the Foglios haven't done much to advertise Buck Godot on the web (in fact there are very rarely any links on the GG pages to their BG work) and I am equally sure that more of it is due to this being years old work (i.e it's "reruns"). But as near as I can tell, BG runs at about one tenth the site traffic the GG does. Now if the Page Hits for BG were near in number as the GG Page Hits, then the Foglios might decide to risk the inherent burnout of running two very intensive strips simultaneously (they might even hire a different colorist to let Cheyenne deal exclusively with GG). It is absolutely no coincidence IMO that the BG strips started slipping schedule wise once Cheyenne had to spend time coloring them as well. Cheyenne Wright does the coloring as a side job and it takes a lot of time. Over the last few years, he's been able to set up a schedule where he can build up a buffer on GG strips (thus allowing Studio Foglio to go to cons, deal with family emergencies, etc).īut the main bottleneck, again as I see it, is the coloring of the strips. ![]() It is (barely) conceivable that Phil could ink/draw GG and BG simultaneously. The problem, as I see it, is what Tirian said: Time. However Phil (and Kaja) have also recently said that they would probably wait until Girl Genius was over and done with before getting to it. Question: is this the last "issue" of Buck Godot that was made? Have the Foglios said anything about whether they're going to continue with with Godots once they are done, or not?Īs Tirian said, Phil has said that he has an idea for a new Buck storyline.
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